The Man from U.N.C.L.E.

I worked on The Man from U.N.C.L.E. at Cinesite, contributing to a range of set extension shots across the film. My work covered rendering a submarine and the surrounding marina extension, some satelites in a warehouse as well as architectural extensions and buildings across some city shots. The kind of invisible work that quietly props up the period and scale of the film without ever drawing attention to itself.

A great project to work on, with that signature Guy Ritchie sense of style giving the visual brief plenty of personality to play to.